Wednesday 12 December 2012

The Hunt (movie review)



The Hunt (drama) (2012) (1 hr 46 mins)
In a village in Denmark, a nursery teacher named Lucas is popular with the children, and particularly liked by a girl named Klara. When she kisses him on the lips, he points out that such affection is not appropriate and she takes it as a rejection. She then makes comments to the nursery manager, Grethe, that lead her to think that Lucas has sexually abused Klara. From this moment on, Lucas becomes the subject of a witchhunt as he is rejected by most of his friends, suspended from his job and interrogated by the police.

It is made clear to the viewer that Lucas is innocent so that we experience with him the injustice of his treatment. He is initially too shocked to defend himself properly, and the manager at the nursery mishandles the investigation, too readily assuming that he is guilty and giving the impression to all the parents of children at the school that there is little doubt about his guilt.

To make matters worse, Klara is the daughter of Lucas’ best friend, Theo, which makes the apparent betrayal of trust all the more upsetting. Like almost everyone in the town, Theo assumes that Klara is telling the truth and therefore Lucas must be guilty. In fact the only people who are sure he is innocent are his teenage son and the boy’s godfather, .

It’s not long before Lucas is forcibly confronted with the judgment of his community. A brick is thrown through his window, his dog is murdered and he is violently thrown out of the local supermarket. But he stubbornly and courageously refuses to leave the town and instead confronts his persecutors.

In a scene of almost unbearable poignancy, Lucas goes to the Christmas church service and sits alone in a pew while the congregation stare at him with grim fascination. When the nursery children are brought out to perform a song, Lucas snaps and confronts Theo. In fact it is the strength of his anger that makes Theo wonder if Lucas is innocent after all. Only then does he coax out of Klara the confession that she told a lie.

The emotions portrayed in the film are painfully raw and director Thomas Vinterberg manages to capture an almost primeval struggle for justice. It’s impossible not to identify with Lucas’ pain and his powerlessness in the face of a situation that is threatening to ruin his life.

Mads Mikkelson, winner of the best actor award at Cannes, gives an outstanding performance as the distraught Lucas, having to be strong for the sake of his son but clearly in great emotional turmoil. Annika Wedderkopp is haunting as Klara, bewildered and unnerved by the power she has discovered she can wield in the complicated world of adults. The script by Vinterberg and Tobias Lindholm is superbly constructed, with no extraneous scenes or dialogue.

This is a film that will move you deeply and that you won’t forget in a hurry.
 
Rating: 10/10